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Artists in Crime by Ngaio Marsh
Artists in Crime by Ngaio Marsh











The smell must not be forgotten-frangipanni, coco-nut oil, and sodden wood. How much of the scene could he fix in his memory before the ship sailed? The sound, too-he must get that-the firm slap of bare feet on wet boards, the languid murmur of voices and the snatches of song drifting from a group of native girls near those clumps of fierce magenta coral. The design made by the feet on wet planks. Then the brown face beneath, with liquid blue half-tones reflected from the water, then the oily dark torso, foreshortened, the white loincloth, and the sharp legs.

Artists in Crime by Ngaio Marsh

The hair was vivid magenta against the arsenic green of a pile of fresh bananas. Idly at first, and then with absurd concentration, he began to memorise, starting with a detail. He had a sudden desire to run a mental ring round the scene beneath him, to isolate it, and make it clear for ever in his mind.

Artists in Crime by Ngaio Marsh

In a minute or two now they would slide away, lose significance, and become a vague memory. ALLEYN LEANT OVER the deck-rail, looking at the wet brown wharf and the upturned faces of the people.













Artists in Crime by Ngaio Marsh